Building Connection and Understanding

The stereotype of athletics vs. arts is a tired one.

I realize that the tension is present in some schools and communities, but I believe it is time to move past that. If education is truly for the benefit of the whole child, then creating a culture (in school, at home, in the neighborhood, wherever...) where a student's participation in athletics, arts, and academics is paramount.

I am fortunate to be in a school district where that idea is a reality. There are great people in the athletic department and administrative chairs who see the value in what we do in the arts programs. I frequently connect with coaches to ensure students can be on stage and on a team. Many of those same students excel in Honors and AP level coursework, too. However, it takes work. It requires conversations and sacrifice and recognizing the common ground between us. In my school, we've done this through conversations (largely on social media, of all places) about leadership and coaching and the values we seek to instill in our students. (I've posted about my perspective on what school theatre is for here and here).

Whether you have the privilege to be in an environment like mine, or struggle in a place that does not see the value in arts education, I encourage you to reach out to community. Ask questions of stakeholders and detractors. Identify areas of common ground. Use your advocacy tools to demonstrate that value. Nothing is a panacea, but is a place to start. 

I'm curious to hear from you. What are relationships like where you are? How can we work to build understanding and connection among programs, activities, and factions that are traditionally viewed as opposed to one another?

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Advocacy is Storytelling

We talk a lot about advocacy in Arts Education. It is essential, but also can feel esoteric, or inaccessible. I've seen people recoil at the mention of it; the word has political undertones that some just don't want to touch. 

I find it helps to think of advocacy as storytelling. The synonyms for the word seem to support that idea. After all, advocating for our work is simply supporting, championing, and (more simply) sharing what that work is and what it does.

I've found support in the blogs, books, and podcasts of people like Chase Jarvis, Seth Godin, and Dr. Brené Brown. Their suggestions to make a habit of the process of creating and sharing work, to "ship" the product, and to be "awkward, brave, and kind" have helped me formulate a direction for my advocacy. To me, theatre education provides the opportunity for students to create and perform, yes, but also to explore, experiment, interpret, collaborate, and develop a disciplined work ethic. Advocating these aspects meant documenting students' experiences in rehearsals, behind the scenes, and in between performances via social media, press releases, news articles, and email communications sent directly to the students, teachers, and parents within the school community. This opened up aspects of the work that our audience doesn't always see, or understand. We saw an increase in "outside" support (people volunteering their time and materials) and - although I don't have numbers to compare it to as we did not perform last year - I believe there was an increase in attendance during the performances. Seeing the students engaged in the process gave a tangible example of the importance of what we do in ways that my words just can't.

In summary, we encourage students to tell their stories through their artwork. As artists, educators, and organizations, it is important that we do the same by taking control of the narrative of what that work means. After all, if we don't tell our story the way we want it to be told, someone else will surely tell it in their own way.

How do you advocate for your work in arts education? Please share your ideas in comments, or engage with me on social media. I look forward to hearing from you!

Thinking Digitally

When school went virtual last March, our winter musical performance was put in hold. This happened everywhere, of course, but we were hit especially hard because the call to postpone came just minutes before the end of the school day - just 3 hours before students would return for hair & make-up on opening night. The experience resulted in an incredible story of resiliency starring my students, but that's for another time.

Without a live event, and the uncertainty of what lay ahead, the creative team began exploring options to showcase the students' work in another way. We considered a scaled-back concert, outdoor performances, and inevitably some kind of stripped-down streaming presentation. Circumstances kept changing and, unfortunately, we ran out of time. The show was cancelled and in deference to the seniors, we decided not to repeat the show again the following year. One thing haunted me throughout the experience - if we had just recorded one dress rehearsal, we could have worked with the licensing company to present it online. Lesson learned. I would not make that mistake again.

This past winter, we forged ahead with the goal of a live performance, but with digital/streaming as a backup plan. I recorded something at least once every week as a way to document what we were doing behind the scenes and to get the audience acclimated to watching online... just in case.

We had plenty working against us, both Covid and non-Covid related. Eventually, the decision was made to film the show and stream online. The final two weeks were a unique experience that none of us will forget. While the result wasn't we wanted, streaming the show had plenty of positives. For one, we were able to have a show where we couldn't last year and likely wouldn't under the circumstances we faced. Also, being online expanded our audience beyond the doors of the auditorium to reach far away relatives, friends, and other theatre people who would not have seen the show live. Plus, the students had the unique experience of watching their performances "in real time".

On September 13, we will be 18 months removed from the first day of Covid quarantine. That is a long time to endure without an art program and I saw our survival in the push to keep doing something. In the professional field-at-large, there are organizations who found ways to continue producing their work digitally while others have struggled to survive. I get it. Theatre is live performance and doesn't always translate well to the screen (an irony that my middle school students pointed out when we were virtual), but surely that is better than nothing.

I've seen concern from some theatre artists via Twitter that some organizations and communities are moving away from digital presentation as buildings begin to open up again. It is surprising to see that given how successfully companies like the National Theatre in London, among others, had done so. I realize that the collaborative nature of theatre and the copyrights, licenses, contracts, and other elements provide a hurdle as currently constructed. Surely, with digital technology so prevalent and easy to access we should continue to explore ways to not only make the art accessible during times of inaccessibility, but more equitable, too.

PS - My assumption is that visual artists and organizations fared better during quarantine as digital is inherently visual. The art teacher at my school did an excellent job getting her students' work out online even though there was a large learning curve for her to do so). However, that is not my field and I really don't know the realities of the visual art world and would love to hear from some of you about that!

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Social Media Take-Over for Arts Ed NJ

August already?

It's been a busy couple of weeks for me and there's a lot on my mind. Just 30 days to the first in-service for me, which means I will spend more time focused on school prep this month. There are a few things in particular that I'm eager to explore. This week (August 2-6), I will touch on some of them during a social media takeover of the 
Arts Ed NJ accounts. Come join the conversation!

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The Role of Theatre in Schools

March 12 is a dubious date in my school theatre program. There are two reasons for this distinction:

1. March 12, 2020 - opening night for our winter musical, Into the Woods, which was postponed due to Covid just minutes before the end of the school day
2. March 12, 2021 - the final day of filming our Covid-restricted winter musical, Disney's The Little Mermaid

There may be many things to say about redemption and tenacity when you look at those two dates together like that. It was certainly the message that I repeated to the students as we pushed toward the end of filming through a variety of Covid-, and non-Covid-, related delays and hiccups and issues and roadblocks. But what I think is more interesting, and likely more important, is the influence those experiences will have on the students who lived them. The past two years have been difficult, which makes it easy to view them negatively; however, there is strong positive flip-side to that story. I'm curious how it will be perceived by my students and how it will play a role in their futures.

That leads me back to a question that I love to explore: "what is the role of theatre in schools?"

School theatre saved my life; there are others who have told me the same thing. Participation in theatre programs has benefits within a student's future artistic life as well as within the "real world". That has been seen in research published in Youth Theatre Journal and in my own doctoral dissertation. Now I'm curious to learn how school theatre programs can play a role within the larger school community. What is the perception of these programs from participants and non-participants? How do school theatre programs influence the overall function of a school? What happens with theatre programs are not present, or suddenly seek to exist? How about when they are first built, or "revitalized" after a significant absence?

Looks like I have some reading to do... and surveying my students for their stories... uh oh! Is this another research project in the works?

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What is a "Waste of Time"?

Procrastination is defined as a habitual delay of something that "should be done". I often interpret that as "wasting your time"... but what constitutes as a waste of time?

As I write, I am sitting in my car outside a music studio where my daughter is taking ukulele lessons. There is an hour until she's done, which gives me an hour of time to use. How should I use that time? What should be done right now?

Playing a game on my phone would be a waste of time. That isn't necessary right now - it shouldn't be done. Knowing that I had this time ahead of me, I actually made the decision that I would not play games while waiting. There is work I could have done, but I try to use as much time as I can for family matters and personal projects. So instead, of leveling up in Disney Tsum Tsum, I've chosen to write a blog post.

But couldn't that also be a waste of my time? Shouldn't I also be doing something else? Who determines what I should and shouldn't do?

Our default answer here is probably work-related. I could use this time for grading papers, or making lesson plans for next week. Typically, I do that on Sundays. I could also use this time to catch up on emails, reading, working on a project, anything really. No matter what I choose to spending time on, any of those activities could be time well spent, or a complete waste of that time. It is all a matter of perspective.

This leads me to turn attention back to school. As a theatre teacher, I often have students who see my class as a waste of their time. I could provide arguments and evidence of why it is not, but from their perspective, those arguments don't matter much. Theatre class, or gym class, or art class, or math class, or any class can be perceived as a waste of their time. How many times do teachers hear "when will I ever use this in life?"... how many times have we asked that question ourselves? Why? Any of those subjects have use. They are in the curriculum for a reason. It goes back to perspective - or perhaps more specifically - goals.

What is the goal of a 7th grade student? What is the goal of 11th grade student? A basic answer could be: "to do well in school".  If that is the case, we might argue that a student seeking to do well in school should apply themselves equally in every subject and every assignment - anything that has to do with school should be the focus of "doing well". But that doesn't happen. We all have our own interests and perspectives that make it virtually impossible to approach everything with equal interest and seriousness. Perhaps then it becomes more important to ask what does "doing well" mean? How do we define "well"? That can't possibly be the same for each person, either.

Sometimes I wonder what would happen if individual students had personal goals for the year ahead. For example, the 7th grade student may want something general like "to do well" with the added goal of identifying the subjects and fields that they are most passionate about. This may help further down the road when specializing: choosing electives, or narrowing down potential college and career plans. The 11th grade student may then have more specific goals focused on college applications and majors that mean "doing well" in the classes that will provide the best opportunity to achieve those goals.

What is emerging here is a more individualized, and specialized, approach to education that reaches beyond simply "doing well". Now students are reaching for specific goals; taking specific action. I wonder how a change like that would not only alter education but also improve student engagement across-the-board. I also wonder what would be lost in such a shift.

I don't have answers here. Nor am I making any strong suggestions or recommendations. This is a line of thought about what is or is not a "waste of time". Maybe the answer to that question is "whatever does not further our goals", but even then is it possible to have a clear view of the unknown future from a uncertain today?

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