Using Games to Teach Design

This past week, I led a summer camp at Monmouth County Parks that introduced the basic concepts of theatre design to students in grades 6-8. This is most definitely not my comfort zone as my design background is largely self-taught and I do not need to run any tech at school. However, I think there's something to the idea that one doesn't fully understand something until they can teach it and leading these camps has definitely taught me a lot.

Building from the experience last year, I incorporated a few changes into the program that worked well. The main change was moving away from a diorama-style build to one that would allow for a larger scale. The workshop encourages students to think more about scale and function that artistic skills, but working in the confines of a shoe box limited how things could work. This year, we used foam to create a base and backdrop on which the set would then be built. This allowed for a generous 1 inch: 1 foot scale and resulting set models that are easier to manipulate because they are bigger. Students who had chosen to build sets based in natural settings cut corners to not have to build such large trees and mountains. This produced great teachable moments when their "scale actors" suddenly dwarfed the trees! Theatre seems easy from the audience's perspective viewing the finished product - there's a LOT of work that goes into the planning and execution of what ends up on stage. You can see the students' models in the pictures included on this post.

I also picked up a valuable lesson that I will incorporate into my design unit at the middle school. I could tell that the campers were going to finish early on the last day and asked my wife, who is also a drama teacher (Instagram / TpT) for ideas of what I could do with them in the meantime. She suggested bringing in the board game Clue to play and to maybe incorporate into a final lesson on design. In the morning, I (re)introduced the game to the campers and instructed them to design one of the rooms from the game. I handed each of them cards from the Who, What, Where decks and encouraged them to build the room as they imaged it, but to incorporate elements (or clues) about the weapon and suspect into the drawing. They did this with subtle hints like color (for the suspect name), or a cutting board (for the knife), and in other ways. We played a modified game of Clue using those drawings, which didn't quite go as planned. Then we played the board game after. I think if I were to switch the order of those things, there might be an interesting and fun lesson about designing a location on stage. We'll see.

As fun as this camp was, I am glad that the summer camp sessions are over. As of this writing, there are 15 days until my first (PD) day at school. My wife and I are trying to use this week to do a number of family things with the kids before we need to really get serious about planning, prep, shopping, etc for whatever this school year has in store for us all!

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Preparing for September: 5 Things I'm Doing

The first day of school is in 33 days. Here are five things I am doing to prepare:

1) Revising Lesson Plans

Earlier this week, I got the first look at my class schedule and rosters for the upcoming year. There is an even split between my middle school and high school load that includes a course that I haven't taught yet. Additionally, the middle school curriculum is set up so that the procedure is the same, but the content rotates every year. This allows students to take the class in both 7th and 8th grades and to have the majority of the class work different each time.

This year, one of the performance projects in the middle school Theatre class will be Puppetry. The students in my first year loved this so much that I put it on hold last year, so that I could learn more to expand the curriculum and secure a grant from the Holmdel Foundation for Educational Excellence. I also want to thank Ms. Edna Bland for her expertise and guidance.

2) Incorporating more Games & SEL

If you have not participated in the #games4ed Twitter Chat, you may want to make plans to join in on Thursdays / 8 pm EST. This group of educators share examples and questions about incorporating games and puzzles into subject at every grade level. I've used some of the ideas presented here to build lessons and assessments that are more fun for students and for me. 

3) Cleaning Up Social Media

It's no secret that I love social media. It has been a great way to communicate and gather information, but it gets messy. I find it helpful to sort through the accounts, update profiles, delete or rearrange any posts that may be necessary, and set up a preliminary post schedule. As someone mentioned in the comments of a post earlier this week, there are so many places to be online that it is important to pick just a few and focus there. I find it best to communicate with parents on Facebook, students on Instagram, and the rest of the world on Twitter. It is a lot to manage (I do this for the theatre program and the high school), but once you get into a groove, it works. My best advice would be to keep a schedule and use a platform like Hootsuite, Tweetdeck, or IFTTT to help. There are many others, too.

I also encourage you - whether in a school or organization - to balance your sales with interest stories. When I thought of how many times I block telemarketers, or unwanted ads, it just made sense.

4) Shopping

I am fortunate to have a small budget through school that covers basic classroom supplies. However, there are other things I will need to help me with management. Planners, dry erase markers, things like that. Oh, and clothes. It's amazing how quickly I can wear through my "teacher costumes"!

Also, you may want to set up an Amazon wish list for your classroom or department, if you don't already have one. There are times when someone may want to help, but you don't know exactly how. Purchasing an item from this list is a nice, simple way for community to get involved. And for any theatre teachers out there, connect with Dr. Jimmy Chrismon who runs the ThEDTalks Podcast. Not only are his interviews interesting, but he shares out teachers' wish lists each August.

5) Getting back into a routine... sort of

I've been teaching summer school and a few camp programs this summer. It helps keep me in practice and is a nice supplemental income when we're not receiving a regular paycheck (my wife is a teacher, too). It's still a summer schedule and I will beginning getting back into a groove of waking up early and going through the routines that get all of us out the door. I'm sure we would benefit from keeping a more regular routine during the summer, but we are a family of five and we're tired. It's been quite a year and using time to rest and recover has been well worth it.

PS - As I'm writing this, we are anticipating the announcement that New Jersey schools will be masked on the first day. It is an ever-changing situation... but isn't that how we would describe teaching anyway? What have you done to recover from the school year? What are you doing to prepare for September?

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Revise and Resubmit

"Revise and Resubmit" is not exactly the comment that a writer wants to receive after submitting a manuscript for publication. I've had my own experiences with this over the summer that I am still trying to parse out (thank you, Reviewer #2), but it helps me to remember that revision is a process of improvement. It is similar to the Stoics' reminder that "the obstacle is the way" and that every challenge, or difficulty, offers an opportunity for improvement. 

I've done a lot of curriculum writing and lesson plan revision this summer. Most of this is for the theatre classes in middle school and high school (some are new, but some is for the potential need to adapt to online learning again). This week, I have turned my attention to the TYA course that I teach for the Program in Educational Theatre. I've been teaching this class since 2014 when I inherited it from a long line of influential people in the field: Dr. Lowell Swortzell, Laurie Brooks, and Jonathan Shmidt Chapman. The course structure has evolved over time and I have continued that tradition by adapting Jonathan's syllabus and making adjustments and tweaks to the course every year since.

About two years ago, I incorporated the 25 year anniversary anthology from the New Visions/New Voices Festival at the John F. Kennedy Center for the Performing Arts in Washington, DC. New Visions/New Voices is one of three major new play development programs in the field of TYA currently in existence in the United States (along with Write Now and NYU's New Plays for Young Audiences Series). The anthology was a way to focus on current scripts while emphasizing the importance of new play development in the field. Perhaps most importantly, using the anthology reduced textbook costs for students. The NV/NV plays are serviceable and the last two classes have enjoyed them; however, one of the strongest suggestions received from the classes was a desire to delve into even more current and relevant scripts. I have made that my goal while preparing for the fall.

When constructing the syllabus, it is also important to recognize the variety of students on the class roster and their varied perspectives. The class is typically made of students from freshman to doctoral candidates, Educational Theatre majors to performance majors from Tisch, as well as students from outside the arts who are interested in exploring the world outside of their math and business majors. The students are, or plan to be, theatre praticioners, educators, and producers, or are simply interested in story from a teller and/or audience point of view. All of these perspectives inform my planning and I plan to balance the reading list with scripts that are of historical significance to the field and that are often produced in professional venues and schools. The EdTA 2020 Play Survey was helpful here. I am including some of the titles on these lists with those from the NV/NV anthology.

One text that has not changed from my first courses at both Manhattanville College and NYU is Moses Goldberg's collection titled TYA: Essays on the Theatre for Young Audiences. This is an EXCELLENT book that I could not do without!

I am excited by this changes and look forward to exploring the works with a new group of students and to seeing and hearing their reactions and insights. There are still some areas of the field that I can't quite cover in the time provided for the class. I plan to ask students to explore those topics in their midterm project and see what may come out as the most important aspect to incorporate in the revision for next year.

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Hurry Up and Wait

After a great, yet unconventional school year, I am eager to get back. This is the first summer where I know my course load and the first time that I can go into September with plans in place. Previously, I've either been hired just before school began - or with the school year already in session, left in the dark about classes until arriving at school for the first professional development day. I'm further ahead in my planning than in those situations, but I'm getting ready with such a large question mark about how exactly our hybrid school model will pan out. That is the case for every teacher in America who hasn't yet begun school - it is frustrating, but necessary.

The biggest question right now is what form the winter musical might take. Choices are limited because of the need to secure streaming rights for the performance. I do have a show in mind and am eager to start planning because it will be a big undertaking if we can perform "normally" - we have no idea if we will be able to bring an audience together in March. I know that March is months away, but I always start planning this far out.

It's the inertia that is so frustrating at this point. Planning and preparation is necessary, but I don't want to waste that precious time doing things that may be unnecessary depending upon the circumstances.

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The Young Playwrights Guide

The past three months have been a whirlwind! I think we all feel that way to some degree. Now that school has closed for summer, I am feeling the slower pace of the mornings, and finding ways to approach many of the projects that had been waiting in the wings.

http://youngplaywrghtsguide.blogspot.com
@TheYPGuide

One of these projects is the newly branded Young Playwrights Guide, a retooled version of the Young Playwrights Map that I developed during my doctoral study. The map was a great tool for documenting the existence and spread of opportunities for youth writers around the world, but I found children and their parents were looking for advice, instruction, and guidance through various videos and conversations that arose at the beginnings of Covid-19 quarantine. I spent some time reflecting on those inquiries as well as my own desire to (re)connect with artists whom I haven't been able to work with, or even see, over the last year or so.

The Conversations Series was born on YouTube at the beginning of May and is now in its 8th iteration. You can check out those videos here. I have two more conversations in the works and am looking to build another program through the Guide by the end of summer.

Additionally, I am spreading out my prep work for the beginning of the 2020-21 school year. We anticipate hearing more in the next few weeks about potential returns to school in the fall. In the meantime, I will continue to take it slow and look to ramp things up again as July rolls around.

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Yard Work, Take 2

Garden ready!

The plan this summer is to attend to the multitude of projects around the house that I haven't been able to get to in the past two years. As luck would have it, my first weekend of yard work ended with a second degree sprain in my right ankle. This was the consequence for NOT getting to one of the items on my list: filling the "pond" that the kids dug last summer. Today was the first day my ankle was feeling well enough to be out of the walking boot for a significant period of time, so I went right to work on the list of chores immediately after mowing the lawn.
Completed today were the following:

• weeding the garden box
• planting vegetables and flowers purchased during last week's sale
• weed whacking the yard
• filling the hole (!)
• adding dirt and mulch to the front flower bed
• trimming the hedges

Two or three eggs in the hedge

Got it all done with some help from two of three children. We saw plenty of wildlife in the yard today. Chipmunks, a groundhog (under the deck, which I hope was a hiding place and not a home), cardinals, blue jays, mourning doves, sparrows, and a couple of nests complete with eggs (sparrows, perhaps?). It also seems a hawk has been feasting around our house. I cleaned that up, too.

Productive day, but my ankle is in need of some ice and rest. Happy to have gotten that work done; still much more to do. For now, I'm off to grade papers and get ready for the last full week of school.

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Young Playwrights Map: Update

Image created by Jodomondo
Accessed on Wikimedia Commons

The summer has provided me with much needed time for updating the Young Playwrights Map, which had been neglected for too long as I wound down school-year responsibilities at the theatre and at the high school. However, I have not yet updated the old listings as my social media and internet news alerts have brought to my attention a number of previously unknown opportunities within the United States, Canada, and the UK. These have been added throughout the month of June and the Map has suddenly grown from an off-shoot of my dissertation research into an international resource of 117 opportunities for young writers ages 18 and younger.

I enjoy adding programs both new and established and there have been a share of both this past month. It still surprises me that programs with histories of multiple years are only now becoming visible to me. I would think the almighty Google would pick up those hits automatically, but nevertheless, I am grateful to find them now.

What I am uncertain about at the moment is how useful the Map is for young writers. To date, the Young Playwrights Map has 3,206 views since it was first shared in May 2015. That's roughly 1,000 views per year. Google analytics help me see where views originate, but I don't know how the information is being used, or if it is useful at all. Programs are excited when I contact them to be added (although I did have one program refuse to give information and the head of an organization offer to share information only if I was a member). Playwrights are thrilled with the idea of finding new places to share their work. Some of the playwrights with whom I've worked in the New Jersey Young Playwrights Festival have plays produced at other festivals, but I do not believe they connected with those organizations because of the Map. Information about how the Map is used is something I am working on. If you have any suggestions, please do share them.

I also would like to conduct another overview of the field similar to what I did in Mapping the Field of Young Playwrights Programs, which was published in ArtsPraxis in October 2016. However, that may need to wait until the start of 2019 while I wrap up some other projects. In the meantime, I look forward to continuing to update the map and reaching two milestones: 100 programs in the United States and 120 listings overall. With any luck, those will come before the summer is out!

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January in July

Janus coin

This past month has been a busy one with the close of the school year, the 35th annual New Jersey Young Playwrights Contest, and a flurry of activity bringing new listings to the Young Playwrights Map. Over the next two weeks I will also wind down a second semester of classes in the Alternate Route Certification program at Monmouth University. Not to mention that this past week I have been catching up on work around the house: tomorrow morning I will take my first stab at painting the deck and we've discovered the power of Letgo as a way to complete some of those projects and unloading some of the things that a family of five accumulates along the way.

Once the deck painting is done, and we get some help with a couple of unruly landscaping projects, my focus will shift to reflection and planning for the year ahead. That has always been a part of my summer experience - a remnant of so many years in and/or working with the school system. It's my "January in July", perhaps, with the week of July 4th serving as something as I imagine the last weeks of December being for other people.

Some of my first projects this week will include formally selecting a play for the fall production (looks like I will be doing the play I first thought of back in the spring!) and setting up calendars for the fall programs at the theatre. This should be followed by curriculum development and writing schedules for a couple of research projects that I want to complete in the remaining months of 2018.

It is a busy summer, as always, and I'm looking forward to diving in! (An ironic idiom for someone who dislikes the pool).

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